Embodying Analysis
Location
DeSantis Room 1047
Format Type
Plenary
Format Type
Workshop
Start Date
16-1-2020 3:30 PM
End Date
16-1-2020 5:20 PM
Abstract
Qualitative data analysis employs various traditional methods such as coding, both manually and through software, and other heuristics such as theme and assertion development. A more contemporary approach to data analysis is embodiment, the physicalization of in vivo codes and concepts through still and moving images. Rather than keeping analytic processes exclusively in the mind or on a monitor screen, the researcher’s body and voice are used as instruments for exploring the states and processes of human experience.
The “Embodying Analysis” workshop will take participants through a series of physical activities to explore data related to addiction, recovery, and relapse. Image, movement, and vocal exercises from the canons of improvisational drama, Viola Spolin, and Augusto Boal will be facilitated to demonstrate how to “dramatize the data.” Reflection and experiential learnings will be documented through analytic memo writing, drawing, and discussion.
Theatre artists use their bodies, voices, and stage devices to convey to audiences their interpretations of scripted characters in dramatic action. Qualitative researchers can utilize these same techniques to analyze the meanings and significance of participant data.
Keywords
movement, improvisation, addiction
Embodying Analysis
DeSantis Room 1047
Qualitative data analysis employs various traditional methods such as coding, both manually and through software, and other heuristics such as theme and assertion development. A more contemporary approach to data analysis is embodiment, the physicalization of in vivo codes and concepts through still and moving images. Rather than keeping analytic processes exclusively in the mind or on a monitor screen, the researcher’s body and voice are used as instruments for exploring the states and processes of human experience.
The “Embodying Analysis” workshop will take participants through a series of physical activities to explore data related to addiction, recovery, and relapse. Image, movement, and vocal exercises from the canons of improvisational drama, Viola Spolin, and Augusto Boal will be facilitated to demonstrate how to “dramatize the data.” Reflection and experiential learnings will be documented through analytic memo writing, drawing, and discussion.
Theatre artists use their bodies, voices, and stage devices to convey to audiences their interpretations of scripted characters in dramatic action. Qualitative researchers can utilize these same techniques to analyze the meanings and significance of participant data.
Comments
If this workshop can be scheduled for TWO or THREE hours instead of one, maximum benefit will be provided to participants. Also, a room/space that permits participants to stand and move would be appreciated.