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Abstract

In this research we explore the place of creative embodiment through movement and dance from the understandings of a group of 8-10-year-old elementary school boys. Children can be asked to speak or write about their movement experiences, but for younger cohorts it may easier for them to reveal their ideas via their own drawings. In this qualitative study using drawings as a research method, two classes (a total of 31) of Year 3-4 boys in a suburban elementary school in Melbourne, Australia were asked to produce a drawing of “me dancing” in an empty frame. Each child was then asked to explain their drawing to clarify their depictions. Visual data from the participants were analysed thematically with their comments assisting our understanding of the meaning of their images. We recognised in the data representations of movement as integral to personal physical activity and self-expression. Our findings suggest that young boys were engaged through kinaesthetic activity (movement and dance) that was included in their experiences both at school and beyond. For us, this underscores the importance of providing movement and dance in educational programs for young boys.

Keywords

Australian elementary school movement and dance, boys dancing, meaning of dance in children’s lives, dance as pedagogy, children’s drawings method, visual methodology

Author Bio(s)

Rosemary Bennett is an expert dance educator and researcher currently completing her doctorate at Monash University. Please direct correspondence to bennettrosemary21@gmail.com

Jane Southcott is a Professor at Monash University. She researches arts education in formal and informal settings across the lifespan using autoethnography and phenomenology.

Publication Date

8-25-2025

Creative Commons License

Creative Commons Attribution-Noncommercial 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 International License.

DOI

10.46743/2160-3715/2025.7171

ORCID ID

0000-0002-3250-1699

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