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Abstract

Taking an ekphrastic approach, this essay responds to and reflects on my reading of Assessing Autoethnography: Notes on Analysis, Evaluation, and Craft by Andrew F. Herrmann and Tony E. Adams. It has three parts. First, I summarize the book’s central chapters and discuss their practical uses, especially as prompts for in-progress autoethnographies. Second, using clarity as a point of entry, I explore a tension I felt while reading the book—between the comforting utility of specific criteria and the marginalizing power of criteria themselves. Finally, I share a found poem composed in response to the book and reflect on the impermanent meanings it surfaced for me, highlighting how autoethnography makes space for uncertainty.

Keywords

autoethnography, assessment/evaluation, evaluation criteria, poetic inquiry

Author Bio(s)

Aaron Hoy, Ph.D., is Associate Professor of Sociology and Director of the Center for Excellence in Scholarship and Research (CESR) at Minnesota State University, Mankato. He can be reached by email at aaron.hoy@mnsu.edu

Acknowledgements

The author would like to thank Margaret Berg, Caitlin Callahan, Hannah Radcliff-Hoy, Adam McClain, and Kirby Wycoff for their feedback on previous drafts of this manuscript: it was thoughtful and heartful, and the kind of assessment for which even I can be grateful!

Publication Date

9-27-2025

Creative Commons License

Creative Commons Attribution-Noncommercial 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 International License.

DOI

10.46743/2160-3715/2025.8330

ORCID ID

0000-0003-1837-8311

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