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Abstract

The working relationship of two novice songwriters is examined in this ethnographic study, which highlights the importance of common goals and values in a songwriting collaboration. Stemming from this core there are a number of sub-themes: the pair saw a popular song as consisting of melody, harmony, and lyrics; they played on the strengths and offset the weaknesses of each others songwriting skills; both writers valued originality; and they believed songwriting had a mystical element to it. Finally, it will be shown how conflict in their status as writing partners resulted in the demise of the collaboration. The difficulty of being a participant observer researcher when only two people are being observed is also discussed.

Keywords

Songwriting, Partnership, Ethnography, and Popular Music

Publication Date

3-1-2005

Creative Commons License

Creative Commons Attribution-Noncommercial 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 International License.

DOI

10.46743/2160-3715/2005.1857

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Submission Location

 
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