Part of the Creative Writing Commons

Works by Marlisa Santos in Creative Writing

2021

"Whither is fled the visionary gleam?" Wordsworth and Consumption in Splendor in the Grass, Marlisa Santos
Marlisa Santos

Verse, Voice, and Vision: Poetry and Cinema, Marlisa Santos
Marlisa Santos

2018

Stand up; your father’s passing’: Atticus Finch as Hero Archetype, Marlisa Santos
Marlisa Santos

Whither is fled the visionary gleam?: Wordsworth and Consumption in Splendor in the Grass, Marlisa Santos
Marlisa Santos

2015

This Never Happened to the Other Fellow: On Her Majesty's Secret Service as Bond Woman's Film, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2013

"Whither is fled the visionary gleam?" Wordsworth and Consumption in Splendor in the Grass, Marlisa Santos
Humanities and Politics Faculty Book and Book Chapters

Verse, Voice, and Vision: Poetry and the Cinema, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2012

People Can Think Themselves into Anything: The Domestic Nightmare in My Name is Julia Ross, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2011

Verse, Voice, and Vision: Poetry and Cinema, Marlisa Santos
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures

The Dark Mirror: Psychiatry and Film Noir, Marlisa Santos
CAHSS Faculty Books and Book Chapters

Adaptation and Sunshine State: Nature and Nostalgia in Contemporary Florida Films, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2009

Stand up; your father’s passing’: Atticus Finch as Hero Archetype, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2008

Edgar Ulmer’s Homicidal Noirs: Psychosis and Possession in Strange Illusion, Strange Woman, and Bluebeard, Marlisa Santos
CAHSS Faculty Books and Book Chapters

You Gotta Eat Somethin: Food, Violence, and Perversity in Scorsese’s Urban Films, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2004

Leave the Gun; Take the Cannoli: Food and Family in the Modern American Mafia Film, Marlisa Santos
CAHSS Faculty Books and Book Chapters