"Whither is fled the visionary gleam?" Wordsworth and Consumption in Splendor in the Grass
Marlisa Santos
Part of the Film and Media Studies Commons
Works by Marlisa Santos in Film and Media Studies
2021
"…the kindest, bravest, warmest, most wonderful human being”: Cold War Utopia in The Manchurian Candidate.”
Marlisa Santos
(Not So) “Vicious and Depraved”: Ida Lupino's Portraits of Men
Humanities and Politics Faculty Book and Book Chapters
2018
2017
"A gray web woven by a thousand spiders’: Dream Sequence Construction in Film Noir.”
Humanities and Politics Faculty Book and Book Chapters
2016
"…the kindest, bravest, warmest, most wonderful human being”: Cold War Utopia in The Manchurian Candidate.”
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures
2013
"Whither is fled the visionary gleam?" Wordsworth and Consumption in Splendor in the Grass
Humanities and Politics Faculty Book and Book Chapters
2012
People Can Think Themselves into Anything: The Domestic Nightmare in My Name is Julia Ross
CAHSS Faculty Books and Book Chapters
2011
Verse, Voice, and Vision: Poetry and Cinema
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures
Adaptation and Sunshine State: Nature and Nostalgia in Contemporary Florida Films
CAHSS Faculty Books and Book Chapters
2009
Stand up; your father’s passing’: Atticus Finch as Hero Archetype
CAHSS Faculty Books and Book Chapters
2008
Edgar Ulmer’s Homicidal Noirs: Psychosis and Possession in Strange Illusion, Strange Woman, and Bluebeard
CAHSS Faculty Books and Book Chapters
You Gotta Eat Somethin: Food, Violence, and Perversity in Scorsese’s Urban Films
CAHSS Faculty Books and Book Chapters