Part of the Arts and Humanities Commons

Works by Marlisa Santos in Arts and Humanities

2023

Conference Conventions & Etiquette: Redux, Aileen M. Farrar, Marlisa Santos
Aileen Farrar

2022

Conference Conventions & Etiquette: Redux, Aileen M. Farrar, Marlisa Santos
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures

2021

Story Maps: The NSU Center for Humanities and Immigration Stories, David Kilroy, Marlisa Santos
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures

"Whither is fled the visionary gleam?" Wordsworth and Consumption in Splendor in the Grass, Marlisa Santos
Marlisa Santos

“In the Pull of Memory”: Noir’s Legacy of Amnesia in Tough Guys Don’t Dance, Marlisa Santos
Marlisa Santos

"A gray web woven by a thousand spiders’: Dream Sequence Construction in Film Noir.”, Marlisa Santos
Marlisa Santos

(Not So) “Vicious and Depraved”: Ida Lupino's Portraits of Men, Marlisa Santos
Marlisa Santos

“I never did think he was crazy”: Mystery and Criminality in Boetticher's Psychological Noirs, Marlisa Santos
Marlisa Santos

"…the kindest, bravest, warmest, most wonderful human being”: Cold War Utopia in The Manchurian Candidate.”, Marlisa Santos
Marlisa Santos

Round Like a Circle in a Spiral: The Movie Poster Art of Film Noir, Marlisa Santos
Marlisa Santos

“The cat’s in the bag, and the bag’s in the river”: Journalistic Scandals in Film Noir, Marlisa Santos
Marlisa Santos

(Not So) “Vicious and Depraved”: Ida Lupino's Portraits of Men, Marlisa Santos
Humanities and Politics Faculty Book and Book Chapters

Verse, Voice, and Vision: Poetry and Cinema, Marlisa Santos
Marlisa Santos

“In the Pull of Memory”: Noir’s Legacy of Amnesia in Tough Guys Don’t Dance, Marlisa Santos
Humanities and Politics Faculty Articles

Round Like a Circle in a Spiral: The Movie Poster Art of Film Noir, Marlisa Santos
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures

2020

“The cat’s in the bag, and the bag’s in the river”: Journalistic Scandals in Film Noir, Marlisa Santos
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures

'I didn’t get the money, and I didn’t get the woman': Voiceover and Power in Film Noir”, Marlisa Santos
Marlisa Santos

Ex Machina, Marlisa Santos
Marlisa Santos

2019

'I didn’t get the money, and I didn’t get the woman': Voiceover and Power in Film Noir”, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Ex Machina, Marlisa Santos
NSU Annual Film Series

PDF

Straddling Hollywood’s Gender Boundaries: Ida Lupino’s Auteur Journey, Marlisa Santos
CAHSS Intellectual Conversations

2018

That Sinking Feeling: Cornell Woolrich and the Uncanny Noir Mood, Marlisa Santos
CAHSS Faculty Books and Book Chapters

Do Me a Favor . . .: Sadomasochism as Transcendence in Scorsese Films, Marlisa Santos
Marlisa Santos

I told my story better: The Writer Character in Film Noir, Marlisa Santos
Marlisa Santos

Panel Chair: Human Rights on Film: Advocacy and Representation, Marlisa Santos
Marlisa Santos

No formless monster’s head: The Sublime Decapitation of Romance in Keats, Marlisa Santos
Marlisa Santos

Taking self-Esteem out of Self-Expression: Teaching Student to be Good Communicators First, Marlisa Santos
Marlisa Santos

Stand up; your father’s passing’: Atticus Finch as Hero Archetype, Marlisa Santos
Marlisa Santos

Whither is fled the visionary gleam?: Wordsworth and Consumption in Splendor in the Grass, Marlisa Santos
Marlisa Santos

2017

“I never did think he was crazy”: Mystery and Criminality in Boetticher's Psychological Noirs, Marlisa Santos
Humanities and Politics Faculty Book and Book Chapters

'Just like I don't belong’: Uncanny Noir in The Twilight Zone, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

PDF

Drinking and Dancing: Noir’s Legacy of Amnesia in Tough Guys Don’t Dance, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

"A gray web woven by a thousand spiders’: Dream Sequence Construction in Film Noir.”, Marlisa Santos
Humanities and Politics Faculty Book and Book Chapters

2016

"…the kindest, bravest, warmest, most wonderful human being”: Cold War Utopia in The Manchurian Candidate.”, Marlisa Santos
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures

2015

"These Two Pretty Children / Flew Away": Myth and Migration in the Night of the Hunter, Marlisa Santos
CAHSS Faculty Articles

I Told My Story Better: The Writer Character in Film Noir, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

This Never Happened to the Other Fellow: On Her Majesty's Secret Service as Bond Woman's Film, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2014

Continuous Suffering: Noirish Sensibilities in Infernal Affairs and The Departed, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

2013

Wiretapping the Unconscious: Psychological Manipulation and Voice Recording in Film Noir, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

"Whither is fled the visionary gleam?" Wordsworth and Consumption in Splendor in the Grass, Marlisa Santos
Humanities and Politics Faculty Book and Book Chapters

Verse, Voice, and Vision: Poetry and the Cinema, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2012

These Two Pretty Children/Flew Away: Myth and Migration in the Night of the Hunter, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

People Can Think Themselves into Anything: The Domestic Nightmare in My Name is Julia Ross, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2011

Film Noir: Text and Image, Narration and Communication, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Verse, Voice, and Vision: Poetry and Cinema, Marlisa Santos
Humanities and Politics Proceedings, Presentations, Speeches, and Lectures

The Dark Mirror: Psychiatry and Film Noir, Marlisa Santos
CAHSS Faculty Books and Book Chapters

Adaptation and Sunshine State: Nature and Nostalgia in Contemporary Florida Films, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2010

Film Noir: Text and Image, Narration and Communictaion, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

I Might Do It Again If It’s In Me: Forgetting Unremembered Criminality in Film Noir, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

2009

Human Rights on Film: Advocacy and Representation, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Dinner with Dubus: First-year Experience Courses, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Stand up; your father’s passing’: Atticus Finch as Hero Archetype, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2008

Theatre in Film/Theatre on Flim: The Adaptation of Drama into film, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Edgar Ulmer’s Homicidal Noirs: Psychosis and Possession in Strange Illusion, Strange Woman, and Bluebeard, Marlisa Santos
CAHSS Faculty Books and Book Chapters

You Gotta Eat Somethin: Food, Violence, and Perversity in Scorsese’s Urban Films, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2007

Stand Up; Your Father’s Passing: Atticus Finch as Single Father Hero Archetype, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

2006

Space, Place, City, Country: Geography in Film Noir, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

2005

A Right Dirty Criminal World: Kubrick's Appropriation of Burgess Ultra-violence, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Bad for Her as a Doctor, and Fatal for Her as a Woman: Female Psychiatrists in Film Noir, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Bad for Her as a Doctor, and Fatal for Her as a Woman: Female Psychiatrists in Film Noir, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

2004

A Far-Away Light: Amnesia and Assimilation in Film Noir’s Fractured Veterans, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Leave the Gun; Take the Cannoli: Food and Family in the Modern American Mafia Film, Marlisa Santos
CAHSS Faculty Books and Book Chapters

2003

Do Me a Favor . . .: Sadomasochism as Transcendence in Scorsese Films, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Early Retirement, Marlisa Santos
CAHSS Faculty Articles

2002

Taking Self-esteem out of Self-expression: Teaching Students to be Good Communicators First, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

1999

No Formless Monster’s Head: The Sublime Decapitation of Romance in Keats, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

1996

The Father of the Medusa: Vision and Abyss in Hoffmann's Tales, Marlisa Santos
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia