Charles Dickens and Hablot K. Browne: Cross-Narrative Creation and Collaboration in Bleak House, Aileen Miyuki Farrar
Aileen Farrar

Storybooth: Ban Me Edition, Aileen Miyuki Farrar
Aileen Farrar

HONR 1010B: The Health Woman - Mothers to Cyborgs, Aileen Miyuki Farrar
Aileen Farrar

Alex Garland’s Annihilation, Aileen Miyuki Farrar
Aileen Farrar

Spirited Away by Hayao Miyazaki, Aileen Miyuki Farrar
Aileen Farrar

The Hypertext and Imagined Communities: Technologies of Self and Culture, Aileen Miyuki Farrar
Aileen Farrar

Get Out, Aileen Miyuki Farrar
Aileen Farrar

“As night passed and day dawned, Alex began to understand the truth…”, Aileen Miyuki Farrar
Aileen Farrar

Two-Minute Memoirs, Aileen Miyuki Farrar
Aileen Farrar

Moonlight by Barry Jenkins, Aileen Miyuki Farrar
Aileen Farrar

Back from the Brink: The Narratives of Pro-life and Pro-choice Politics, Aileen Miyuki Farrar, Vicki Toscano
Aileen Farrar

The Beauty and Truth of Self-Destruction: Female Autoeroticism in Garland’s Annihilation, Aileen Miyuki Farrar
Aileen Farrar

Ryan Coggler’s Black Panther, Aileen Miyuki Farrar
Aileen Farrar

Amélie by Jean-Pierre Jeunet, Aileen Miyuki Farrar
Aileen Farrar

What are your favorite (or least favorite) book-to-film adaptations? What makes a book different from a film? What makes a good book-to-film adaptation? Have you ever read a film-to-book adaptation?, Aileen Miyuki Farrar
Aileen Farrar

F.D. Bedford’s Childhood in a Drawer: The Illustrated ‘Lost’ Realities of Peter Pan, Aileen Miyuki Farrar
Aileen Farrar

Back from the Brink: The Narratives of Pro-life and Pro-choice Politics, Aileen Miyuki Farrar, Vicki Toscano
Vicki Toscano

Ryan Coggler’s Black Panther, Aileen Miyuki Farrar
NSU Annual Film Series

Two-Minute Memoirs, Aileen Miyuki Farrar
Story Booth

“As night passed and day dawned, Alex began to understand the truth…”, Aileen Miyuki Farrar
Story Booth

F.D. Bedford’s Childhood in a Drawer: The Illustrated ‘Lost’ Realities of Peter Pan, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

What are your favorite (or least favorite) book-to-film adaptations? What makes a book different from a film? What makes a good book-to-film adaptation? Have you ever read a film-to-book adaptation?, Aileen Miyuki Farrar
Story Booth

The Beauty and Truth of Self-Destruction: Female Autoeroticism in Garland’s Annihilation, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Back from the Brink: The Narratives of Pro-life and Pro-choice Politics, Aileen Miyuki Farrar, Vicki Toscano
CAHSS Intellectual Conversations

The Hypertext and Imagined Communities: Technologies of Self and Culture, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Get Out, Aileen Miyuki Farrar
NSU Annual Film Series

Alex Garland’s Annihilation, Aileen Miyuki Farrar
NSU Annual Film Series

Amélie by Jean-Pierre Jeunet, Aileen Miyuki Farrar
NSU Annual Film Series

The Dripping Madonna and Medicinal Milk of ‘Goblin Market’, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Moonlight by Barry Jenkins, Aileen Miyuki Farrar
NSU Annual Film Series

Spirited Away by Hayao Miyazaki, Aileen Miyuki Farrar
NSU Annual Film Series

Lost Roses: Cross-Fertilization and Hybridization in The Moonstone, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Reforming the Specters of Science in Frankenstein: A Monster’s Newtonian Philosophy, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Frankenstein Bicentennial Workshop, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

The Web of Spectral Reflections in Turn of the Screw, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Narrative Autophagy: The Consuming and Consumed Ouroboros of British Imperial Travel Narratives, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

The Bodily Reform and Upheaval of Nineteenth-Century American Sensibility: A Rhetoric of Corpses, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Charles Dickens and Hablot K. Browne: Cross-Narrative Creation and Collaboration in Bleak House, Aileen Miyuki Farrar
Humanities and Politics Faculty Articles

War, Vanity, Sex, and Blood: Impulses of the Imagination in the Island of Doctor Moreau and Ernestus Berchtold, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Objective and Subjective Power Perpetuated by Cross-Narrative Contact in Charles Dickens’s Bleak House, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Narratives on Narratives Compose One Universe: The Synchronic Texts of Swift, Burke, and Pope in Joyce’s ‘Ithaca’, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

Casualties in the Tutoring Field, Aileen Miyuki Farrar
CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia